ISSN 2078-9823 (Print), ISSN 2587-7879 (Online)

DOI: 10.15507/2078-9823.066.024.202402.166-177

Pavel D. Minichkin

National Research Ogarev Mordovia State University (Saransk, Russia),

e-mail: mini4ckin.paw@yandex.ru

 

The Model of Justice in the Worldview of the Female Self through the Morphology of Folk Art

 

Abstract

Introduction. The search for oneself and measures of measurement are comprehended through a comparison of a socially acceptable and morally approved sample. The consolidation of the sample or its destruction can be traced in the morality of the represented, reinforced by one’s experience in self-experience towards the hero of the work and further transfer into the forms of visual image.

Results. To assess the diverse internal content of one approach is not enough, therefore we use a progressive variation of assessments and judgments. We are interested in the approach associated with the perception and adoption of form with subsequent changes depending on the reading. In the paradigm of assessing justice in time and staying within the norms of the past, present and future, the form of cognition is constantly individual. Society lays the foundation, but the process of contemplation and the act of choice is a purely personal responsibility of the woman, followed by a form of rejection of the early form of social norms.

We are considering the issue, outside the categorical judgment of time, which is timeless and permanent, about the production of a social paradigm in the feminine principle and the identification of a paradigm of following the new that is different from society. The ossification of the forms of the social paradigm gave rise not only to the struggle for the equality of women, but also to hyper-radicalism with joining radical groups, with the subsequent rejection of women from the female share, the female Self.

Discussion and Conclusion. The model of the worldview of the female Self through the prism of justice seems to us to include such components as the search for oneself, integration into the system of social relations, understanding of the family basis, etc. The problem of sublimation of images and comparison with life neutralizes historical ideas about the world. The images of rituals and their subsequent evolution in the creative beginning do not expose the idea of the dominance of good as such. Leaving the system of the false surrounding and the good fairy-tale, poetic leads to a departure from the creative absolute society, replacing it with a creative compromise.

Keywords: fairy tale morphology, myth, cosmo-psycho-logos, culture, society.

For citation: Minichkin P. D. The Model of Justice in the Worldview of the Female Self through the Morphology of Folk Art. Gumanitarian: aktual’nye problemy gumanitarnoi nauki i obrazovaniia = Russian Journal of the Humanities. 2024; 24(2): 166–177. (In Russ.).  DOI: 10.15507/2078-9823.066.024.202402.166-177.

 

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